About
Authoritative interpretations of over 50 concerti, specifically those of Beethoven, Chopin, Brahms, Prokofiev, Rachmaninov and Tchaikovsky, have brought Nikolai Demidenko worldwide recognition and critical acclaim. His passionate, virtuosic performances and musical individuality marked him as one of the most extraordinary pianists of this century.
Nikolai has worked with many renowned conductors such as Yuri Temirkanov, Sir Roger Norrington, Vladimir Fedoseyev, Charles Dutoit, Sir Andrew Davis, among others. Orchestras with whom he has collaborated include the St Petersburg Philharmonic, Royal Philharmonic Orchestra, BBC National Orchestra of Wales, Philharmonia Orchestra, Orchestra of the Age of Enlightenment, Queensland Symphony Orchestra, KBS Symphony Orchestra, Singapore Symphony, Yomiuri Nippon Symphony Orchestra, Gulbenkian Orchestra, Seoul Philharmonic, Orquesta Nacional de España, Orchestre National de France and Danish National Symphony Orchestra. In he became ‘Soloist-in-Residence’ with Queensland Symphony Orchestra.
In he will open the ORTVEs season with his principal conductor Pablo González and concerts with Fort Wayne Philharmonic under Andrew Constanti
My constant desire to compose music is actually the urge within me to give tonal expression to my thoughts I have no sympathy with the composer who produces works according to preconceived formulas or preconceived theories. Or with the composer who writes in a certain style because it is the fashion to do so. Great music has never been produced in that way A composers music should express the country of his birth, his love affairs, his religion, the books which have influenced him, the pictures he loves. It should be the product of the sum total of a composers exper
Hamelin Kills It In Medtner 2 and Rachmaninov 3
Hyperion already has excellent recordings of both of these concertos, from Demidenko (Medtner) and Hough (Rachmaninov), but as they saying goes, greatness is its own justification, and this is a great disc. At eighty-two minutes, its also a very generous one. In a way, these concertos belong together. Not only were the composers friends, but both works, while cloaked in romantic virtuoso garb, are heavily symphonic in structure and syntax.
That makes Hamelin an ideal advocate. He is, of course, an exceptional keyboard virtuoso, but one of a very special type. The harder the music is to play, the easier he makes it sound. You can take the technical security completely for granted and focus entirely on matters of form and expression. In music that exists largely for virtuoso display, where a sense of strain is part of the point, this very quality can make his interpretations sound somewhat slick; but where the atrocious difficulty of the solo writing isnt the primary focus and serves a larger purpose, as here, he is incomparable. Hamelin isnt just a technical wizardhes a smart one.
Im not sure if I am makin
Profile: Goldie
Biography
Goldie started his career as a member of a breakdance crew in Wolverhampton, and made his name as a graffiti artist in the West Midlands. He moved to New York for a while and started selling gold teeth, a business he continued when he returned to England in and turned into his trademark. He became fascinated by the British breakbeat music scene, and released his first track in
Goldie became famous for his best-selling album Timeless, which shot straight into the charts at no. 7 and sold over , copies. The album fused the breakbeats and basslines common in jungle with orchestral textures and soul vocals, and its title track was a minute symphonic piece.
For the last few years, Goldie has DJd all over the world. He works mainly within the jungle and drum and bass genres, and has helped to promote these styles globally. He is also a successful actor, featuring in several big-budget films, most famously the James Bond film The World is Not Enough in He also starred in Snatch () and The Ninth Gate () with Johnny Depp. In Goldie played Angel in EastEnders.
In Hodder & Stoughton published Goldie’s autobiography Nine Lives, which he wrote with Paul Go
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