Born in Rikuzen-takata, Iwate Prefecture, in Received the Kimura Ihei Award of Photography in and the Mainichi Art Award in Participated in the "fast and slow" exhibition at hte Japan Pavilion for the Venice Biennale International Art Exhibition in Awarded the Art Encouragement Prize by the Ministry of Education at the "Natural Stories" exhibition, which was held at the Tokyo Metropolitan Museum of Photography in and the Huis Marseille Museum voor Fotografie in Amsterdam and also at San Francisco Museum of Modern Art in Participated in the "Architecture. Possible here? Home-for-All" exhibition in at the Japan Pavilion for the Venice Biennale International Architecture Exhibition (winner of the Golden Lion for Best National Participation). His publications include Lime Works (Seigensha), Underground (Media Factory), Hanasu Shashin (Talking Photography) (Shogakukan), and Kesengawa (Kawadeshobo Shinsa).
Chronology
- Born in Iwate, Japan
- Graduated from the University of Tsukuba, School of Art and Design
- Completed postgraduate studies at the University of Tsukuba
- Received the 22nd Kimura Ihei Memorial Photography Award
- Received the 16th
A Subjective History of Photography Before and After Literature
By Andrew Maerkle
Although they rarely feature people, the photographs of Naoya Hatakeyama often evoke the grand narrative of humanity&#;s interaction with the environment. Like monuments once forgotten and then rediscovered, the alien contours of the landscapes captured from remote vantage points in his &#;Lime Hills (Quarry Series)&#; (), for example, communicate the idea of an entire civilization waiting to be excavated and pieced together from a larger-than-life artifact. Other projects range from &#;Underground / River (Tunnel Series)&#; () and &#;Ciel Tombé&#; (), investigating underground spaces in Tokyo and Paris, respectively, to &#;Tracing Lines / Yamate-Dori&#; (), documenting the length of one of Tokyo&#;s major thoroughfares. In each of these series it is apparent that for Hatakeyama, the environment is the artifact &#; inscribed with the traces of our actions and the values and necessities that motivate them &#; and photography, larger than life, is the means for reading it as such.
Ironically, this is reinforced by a group of photographs, currently on view alongside other works in the exhibition
Naoya Hatakeyama: Excavating the Future City
Naoya Hatakeyama’s photographs have been widely exhibited in the US, Europe, and Japan. He corepresented Japan in the 49th Venice Biennale in , and was given his first solo museum exhibition outside of Japan in at Kunstverein Hannover. He joined the architect Toyo Ito and others in their efforts on the Golden Lion award–winning exhibition Architecture. Possible here? “Home-for-All,” representing Japan in the 13th Venice Biennale of Architecture in A solo exhibition of the work, organized by the Tokyo Metropolitan Museum of Photography, traveled to the San Francisco Museum of Modern Art in His work is included in the Yokohama Triennale. Hatakeyama lives in Tokyo, Japan.
Yasufumi Nakamori, PhD, is the curator and head of the department of photography and new media at the Minneapolis Institute of Art and the former associate curator at the Museum of Fine Arts, Houston. Nakamori lives in Minneapolis, Minnesota.
Toyo Ito is a Japanese architect, winner of the Pritzker Architecture Prize, and an ho
He attended the event that evening. After the report of Watanabe, he talked his story very quietly. I didn't know that his hometown is Sanriku-takada city, Iwate, the area where swiped by the wave. His mother was engulfed by Tsunami, though she moved to an evacuation center just after the earthquake. He also lost his house where he was born and raised, and then he has taken photos of the remains of it and scene of his hometown.
"Before, I didn't like photos that show up our real life in a raw, but now reality run into myself", he said. Then he couldn't stop to take photos of his hometown. He also wrote his story in Asahi Cameraof the September issue, "now I wonder why I take photos. To say honestly, I would like to report whole of this event to "someone" who is beyond just a someone. I can't tell who someone i
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