Georg Philipp Telemann
Georg Philipp Telemann (14 March – 25 June ) was a GermanBaroquecomposer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, ary, Eisenach, and Frankfurt before settling in Hamburg in , where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramartial affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was one of the most prolific composers in history[1] (at least in terms of surviving oeuvre)[2] and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favo
Der Tag des Gerichts, Ino - Georg Philipp Telemann
Écoute gratuite de Der Tag des Gerichts, Ino
Crédits
Artiste principal
Première parution
Edition présentée
- Région : Allemagne
- Label : TELDEC
- Pistes : 44
- Durée : min 33sec
- Support : 2 CD
- Code-barres :
- Langue principale : Anglais
Genres musicaux
- Baroque
- Musique classique
Playlist
44 titres sur 2 supportsDurée
1) 24 titres sur CD
- 1Der Tag Des Gerichts, Twv 1. Betrachtung. Einleitung
- 2Der Tag Des Gerichts, Twv 1. Betrachtung. Chor "Der Herr Kommt Mit Vieltausend Heiligen" (Chorus)
- 3Der Tag Des Gerichts, Twv 1. Betrachtung. Rezitativ "Ruft Immerhin, Des Pöbels Wut Zu Zähmen" (Bass)
- 4Der Tag Des Gerichts, Twv 1. Betrachtung. Arie "Fürchtet Nur, Fürchtet Des Donnerers Schelten" (Bass)
- 5Der Tag Des Gerichts, Twv 1. Betrachtung. Rezitativ "Wer Ist, Der Kühn Sein Joch Zerreißt?" (Bass, Soprano, Tenor)
- 6Der Tag Des Gerichts, Twv 1. Betrachtung. Arie "Jetzt Weiß Ichs Überkluge Köpfe" (Tenor)
- 7Der Tag Des Gerichts, Twv 1. Betrachtung. Rezitativ "Genug Der
Georg Philipp Telemann: Der Tag des Gerichts auf 2 CDs
Georg Philipp Telemann ()
Der Tag des Gerichts
Ann Monoyios, Axel Köhler, Barbara Schlick, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
2 CDsCD (Compact Disc)Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist.
- Künstler:
- Ann Monoyios, Axel Köhler, Barbara Schlick, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
- Label:
- Capriccio
- Aufnahmejahr ca.:
- Artikelnummer:
- UPC/EAN:
- Erscheinungstermin:
"Denn er selbst, der Herr, wird mit einem Feldgeschrei und der Stimme des Erzengels und mit der Posaune Gottes hernieder kommen vom Himmel, und die Toten in Christo werden auferstehen zuerst"
Dunkel und drohend lässt Telemann dazu den Donner grollen, den Zorn Gottes. Der Herr, der Richter naht. Es beginnt der Tag des Gerichts. Mit diesen Signalen hebt ein packendes musikalisches Geschehen an, das dem, der sich mit ihm auseinanderzusetzen gewillt ist, eine reiche, symbolgeladene Welt schönster, erfüllender, oft eigenwilliger künstlerischer Bewältigung von Wort und Ton eröffnetPrivate Music
"It wasn't I who sought the tones; the tones sought me", Georg Philipp Telemann once said about himself. He was rich in musical ideas. He created many compositions on his own accord and without any obligation through his offices. Apart from economic interests, one of his primary motives was to provide music lovers with performance material and valuable practical advice. For example, how might one be able to enhance the effect of a slow movement by adding appropriate ornamentation? Telemann's "Methodical Sonatas" are generally regarded as a musical study of ornamentation. There is no course of study that can bypass them. In the 17th and 18th centuries, private musical life often took place in a so-called "Collegium Musicum." In Hamburg, too, such an association of music lovers was formed under Telemann's direction. With its public performances, the Collegium Musicum made a significant contribution to the fact that there was an increasing tendency in Hamburg to establish a musical life outside of churches and courtly and representative events.
Musique De Table
In the early 18th century, the possession of sheet music was a luxury, the reproduction of which requ
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