Summary of David Alfaro Siqueiros
Siqueiros was the youngest of "los tres grandes" (three greats) of Mexican muralism, along with Diego Rivera and José Clemente Orozco. He was also the most radical of the three in his technique, composition and political ideology. Informed by revolutionary Marxist ideology, his career was dedicated to fostering change through public art. Over the course of five decades, he integrated avant-garde styles and techniques with traditional iconography and local histories. He, like Rivera, firmly believed that technology was a means to a better world and he sought to combine traditions of painting with modern political activism.
Accomplishments
- Investing his work with his Marxist ideology, even when it cost him commissions and jeopardized his work, Siqueiros epitomizes the politically engaged artist. Unlike some of his contemporaries, he refused any commission that conflicted with his ideology. His commitment to education and his belief that public art could inform and inspire the masses to demand revolution has served as a model of activism for subsequent artists with political or social agendas.
- To create his activist and revolutionary public
David Alfaro Siqueiros
(José de Jesús Alfaro Siqueiros; Chihuahua, - Cuernavaca, ) Pintor mexicano, figura máxima, junto a Diego Rivera y José Clemente Orozco, del muralismo mexicano. Tributaria de la estética expresionista y la retórica declamatoria que le exigía su radicalismo político, su pintura aunó la tradición popular mexicana con las preocupaciones del surrealismo y el expresionismo europeos.
David Alfaro SiqueirosEn , con apenas dieciséis años, se alistó en el ejército constitucionalista para luchar en la Revolución mexicana, una experiencia que le llevaría a descubrir "las masas trabajadoras, los obreros, campesinos, artesanos y los indígenas (y sobre todo), las enormes tradiciones culturales de nuestro país, particularmente en lo que se refiere a las extraordinarias civilizaciones precolombinas."
Pero si importante fue la influencia de este hallazgo en años clave para su formación, no lo fue menos la huella que dejaron en él los tres años que pasó en Europa, hacia donde partió en La suma de ambas experiencias determinó por igual su pensamiento artístico, que cristalizó en el manifiesto que publicó en Barcelona en la revista Vida Americana en m
In an interview that the poet Sergio Mondragón He made Siqueiros inside the prison, the muralist commented: “With the scenery of Licensed, don't hurrymade of screen, the genre of artistic painting applied to the theater began, a novel style of undoubted future. ” He also created different lithographs.
The march of humanity on earth and towards the cosmos of David Alfaro Siqueiros.
Getty imagesImportant works
• Portrait of the bourgeoisie ()Embodied on the walls of the former headquarters of the Mexican Union of Electricians, in the Tabacalera neighborhood. While the project is not completely authorship, (Spanish artists participated in Mexico such as José Renau, Antonio Pujol and Luís Arenal), he headed the work that began to be painted in July and ended in October
• Siqueiros Public Art RoomSiqueiros decided that his house should be a legacy for his country, instead of inheriting her relatives. Thus, in , the artist turned this house into the Public Art Room Siqueiros, which serves both to preserve his work and to function as a center for experimentation, analysis and exhibition of public art.
• The march of humanity on earth and towards the cosmosAlso cal
David Alfaro Siqueiros
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Who Was David Alfaro Siqueiros?
In , David Alfaro Siqueiros painted frescoes on the walls of the National Preparatory School and began organizing and leading unions of artists and workingmen. His Communist activities led to numerous jailings and periods of exile. He produced thousands of square feet of wall paintings in which numerous social, political and industrial changes were portrayed from a left-wing perspective.
Early Years
The son of a bourgeois family, painter Siqueiros was born in Chihuahua City, Mexico, on December 29, In he went to Mexico City to study art and architecture at the Franco-English College.
His schooling came at an interesting time in Mexican history. In the Mexican Revolution erupted, and a newly politicized Siqueiros became involved in student strikes. The following year he led a successful student strike at the San Carlos Academy that changed the school's teaching methods.
At the age of 18 Siqueiros joined the Mexican Revolution Army, eventually attaining the rank of captain. He also joined the Communist Party and worked to undermine Mexico's new military dictator, Victoriano Huerta.
The Politicized Artist
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