Alexander Calder
Calder was born in Pennsylvania in His parents were both artists. His father was a sculptor and his mother painted portraits. They knew it was difficult to earn money as an artist so, though they encouraged Calder to create art, they did not want him to choose to art as a job.
Alexander Calder&#;s talent could be seen even in his first sculpture, which he created when he was four years old. As he continued to sculpt, Calder became interested in sculpture that moved. He created a duck that rocked when tapped and a train that ran down a track.
He followed his parents&#; advice and studied engineering in college. Calder wasn&#;t happy in any of the jobs he worked after college, though, and decided to become an artist after all.
While he studied at the Artist Students&#; League in New York, Calder sketched for the National Police Gazette. One of his assignments
Alexander Calder, master of time and space: erudite biography captures artist's full ambition
In , families piled into the Guggenheim Museum’s spiral for an exhibition of Alexander Calder’s work. “My fan mail is enormous,” said Calder, who was 66 at the time. “Everybody is under six.”
Calder () was popular. After the beating that his mobiles got from those Guggenheim crowds, museums began to put “do not touch” signs by those works. The signs weren’t just for children. A photo in Jed Perl’s massive biography shows grown women blowing on his mobiles. The art wasn’t just fun. If you touched it, you could make it move.
A long readable ride, Calder: the Conquest of Space: the Later Years tracks the artist’s life and works from his return to the US before the Nazi invasion of France to the commissioning of massive sculptures for public spaces around the world. This erudite, wide-ranging biography’s first volume, Calder: the Conquest of Time: the Early Years , followed an American engineer, the son and grandson of sculptors, as he imagined and fashioned sculptures whose form was not locked into a single moment.
Perl places the man in his moment in the history of sculptu
American sculptor Alexander Calder rose to fame for his captivating mobiles. These meticulously balanced kinetic sculptures, crafted from abstract shapes of metal and wire, danced and swayed in air currents, injecting a sense of whimsy and chance into the art world.
Born into a family of artists, Calder's artistic journey began early. He honed his skills in New York and Paris, where his creation of a miniature circus using wire and wood foreshadowed his signature style.
The s saw the birth of Calder's iconic mobiles. Experimenting with materials, he balanced abstract forms to create works that moved gracefully in air currents. These mobiles embraced the element of chance, becoming not just visually stunning but interactive experiences.
Calder's artistic repertoire wasn't limited to mobiles. He also created "stabiles" (stationary sculptures), monumental public works, and even explored printmaking through lithography. Calder's legacy extends far beyond his creations. He is credited as a pioneer of kinetic art, forever changing the way we experience sculpture.
Alexander Calder
Philadelphia - New York
The American artist Alexander Calder was born in Philadelphia in He studies engineering from to at the Stevens Institute of Technology in Hoboken, New Jersey. He takes drawing courses with Clinton Balmer in New York in , and studies at the Art Students League from Calder works for the magazine "National Police Gazette" as of For two weeks in , he attends the daily show of a travelling circus in New York.
In Alexander Calder moves to Paris where he studies at the Académie de la Grande Chaumière. This is where he makes first small figure of wire, wood and cloth. In spring of he sets up a complete miniature circus with these figures, and performs shows that are visited by many Parisian artists. His miniature wire figures are on exhibition in the New Yorker Weyhe Gallery in His first one-man show takes place at the Paris Galerie Billiet-Pierre Vorms in
In Alexander Calder joins the artists group "Abstraction-Création". He increasingly deals with abstractions. A visit to the Paris observatory is a major inspiration for his first mobile and abstract wire sculptures, for
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