"Hoe-Down" from Rodeo, by Aaron Copland
What cultural and historical facts do we know about the piece?
Aaron Copland wrote the music for this ballet, Agnes De Mille choreographed it, and the whole ballet has captured the hearts of many Americans since it first premiered. Performed in , this piece was one of the earliest examples of American ballet. The whole ballet takes place at Burnt Ranch, where a Cowgirl finds herself competing with visiting city girls for the attention of the local cowboys. The final movement “Hoe-down” begins where the cowgirl has been reborn in a way. She put away her normal work clothes in exchange for a beautiful dress, and reappears as the prettiest girl in the room. A hoe-down is a type of American square dance in duple meter, which is featured in this movement. There is have a typical, stand-up-and-cheer Hollywood Western ending, too, as the girl gets the right guy for her, not the aloof Head Wrangler at all, but rather, another Cowboy who has shown her respect, kindness, and honor.
The last component connecting the whole final movement together are t
If you are of a certain age (let's say between twenty and sixty), you will instantly remember the strains of this piece as the background of juicy slabs of perfectly-cooked steak glistening on television screens across the world. It made beef - of all things - seem exciting and patriotic, and that's quite a feat in itself. Of course, the fact that the piece itself is from a ballet score written by a socialist sympathizer does tend to soften the red-blooded blow a bit. Premiered in , "Hoe-Down" from Rodeo, composed by Aaron Copland, has become as iconic as, well, beef.
| "Oh hey! A blog post all about me!" ~Aaron Copland, posthumously |
In his youth, Copland composed more avant-garde music, designed (purposely) for a more 'elite' audience. However
Aaron Copland: Hoedown - AQAMusical description
The overall structure is ternary formA musical form in which the opening section returns after a central contrasting section. A-B-A. Within this structure there are different sections and musical ideas based on popular folk musicTraditional music from a particular country. songs:
- introduction
- section A – Woodblock and Bonaparte’s Retreat
- section B – McLoeod’s Reel, Gilderoy and McLeod’s Reel
- section A – Woodblock and Bonaparte’s Retreat
- coda
Overall, the key signatureA pattern of sharps or flats at the beginning of a piece of music indicating which are to be played. of Hoedown is D major. The introduction is in the tonicThe first degree of a scale and the central key of music. In Roman numerals this is I. minor (D minor) before moving to D major in section A. Section B moves to G major, the subdominantFourth tonal degree of the scale and a closely related key., and to A minor, the minor dominant of D major. When section A returns, the key returns to the tonic.
The tempoThe speed or pace of performance in speech, dance or music. is marked allegroLively and fast..
The music begins with the orche
Four Dance Episodes from Rodeo
Version for orchestra
- Title
- Four Dance Episodes from Rodeo
- For
- orchestra
- Alternate Titles
- Rodeo (Suite) (Alternate/Synonymous)
- Rodeo: Suite from the Ballet (Alternate/Synonymous)
- Year Composed
- Scoring
- 3(II,III=picc):glsp/xyl/cyms/tgl/ wdbl/whip/BD/SD-harp-pft(=cel)-strings
- ARCO Number(s)
- 47a
- Category
- Orchestral
- Duration
- 18'
- Premieres
- 1. Partial:Boston, May 28th, (Boston Pops Orch, cond. Arthur Fiedler (three episodes only))
- 2. Complete:New York, June 22nd, (New York Philharmonic, cond. Alexander Smallens)
- Publisher
- Boosey & Hawkes
- Publishing Status
- Published
- Suite From
- Rodeo (ballet) (for orchestra) ()
Video
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